PADA 50
featuring Anna Lawrence, Bárbara Prada, Chaeri Kim, Goof Kloosterman, Margarida Norton de Matos, Margie Reisert, Philip Dufva, Richelle Greabeiel, Susan Jessop, Yvette Kaiser Smith
curated by Frederico Vicente
international residency
february-march 2025
exhibition map
Bárbara Prada, The tentation. Clay from Portugal & glaze, ⌀15 x 30cm (bigger ceramic) and ⌀5 x 17 cm (smaller). Made in PADA, Barreiro, 2025
Margie Reisert, in the absence of companionship. Panty hose, cotton waste, polyester thread, natural fiber yarn, and foam, various dimensions, 2025
Philip Dufva, Open Grip 1. Concrete, pigments, rebar, 100 x 100 x 60 cm, 2025
Philip Dufva, Open Grip 2. Concrete, pigments, rebar, 114 x 20 cm, 2025
Philip Dufva, Open Grip 3. Concrete, pigments, rebar, 40 x 40 x 40 cm, 2025
Anna Lawrence, not floating not buoyant but weighted. Philip Dufva, Open Grip 3.
Anna Lawrence, not floating not buoyant but weighted. Alginate, sheep’s wool, jute, graphite, acrylic paint, wire, variable size, 2025
Anna Lawrence, not floating not buoyant but weighted.
Anna Lawrence, not floating not buoyant but weighted.
Chaeri Kim, Livro da Vida. Acrylic, cotton, thread, rope, mesh net, Thai silk, beads on jute, 170 x 141 cm, 2025
Chaeri Kim, Livro da Vida.
Susan Jessop, Monument. Acrylic, canvas, cardboard, variable sizes, 2025 (installation). It felt like an ordinary morning. Acrylic on canvas, 80 cm x 92 cm, 2025 (upper painting).
Susan Jessop, Monument. (detail)
Margarida Norton de Matos, Untitled 2. Pleather and nails, variable dimensions, 2025
Richelle Greabeiel, Untitled. Found objects, latex, 198 x 28 x 35 cm, 2025
Goof Kloosterman, Grey matter.
Goof Kloosterman, Grey matter. EVA foam, variable size, 2025
Bárbara Prada, The tentation. Goof Kloosterman, Grey matter. Richelle Greabeiel, Untitled.
Yvette Kaiser Smith, Phase Line. 7mm industrial wool felt, 4.7mm acrylic felt, Burel, linen thread, polyester thread, 2mm cotton twine, galvanized steel duct connectors, hardware, 94 x 170 x 30,5 cm, 2025. Bárbara Prada, The tentation.
photo documentation by Samuel Duarte